Professor Germanic Languages & Literatures, Director of Graduate Studies, and Birgit Baldwin Prof CompLiterature
100 Wall St, New Haven, CT 06511-6607
Selected Academic Awards and Achievements:
- Guggenheim Fellow
- Camargo Foundation Fellow
- Fellow Whitney Humanities Center
- Honorary Guest Professor of Beijing Normal University
- Fellow at Internationales Kolleg Morphomata, University of Cologne
- Birgit Baldwin Professor of Comparative Literature and Professor, Department of German, Yale University; at Yale Fall 2002 - present
- Professor of German, New York University, September 2000-Fall 2002
- Professor of Comparative Literature and English, SUNY Buffalo, until Fall 2000
- Visiting Professor in the Department of German and the Humanities Center, The Johns Hopkins University, Fall 1998
Latest Authored Books:
- Sebald’s Vision, Columbia University Press, 2015.
- Skirting the Ethical (Sophocles, Plato, Hamann, Campion, Sebald), Stanford Univ. Press, 2008.
- In the Language of Walter Benjamin, The Johns Hopkins University Press, 1999.
Selected Articles and Essays:
- “Daniel Kehlmann’s Fame: Eight Subjects for Reflection and an Afterword” in Literator 2010. Dozentur für Weltliteratur (Wilhelm Fink Verlag 2012) 205-225.
- “Reading, Writing, Hatching (On Sebald’s Austerlitz)” in What Does the Veil Know?, ed. Eva Meyer and Vivian Liska (Zurich: Voldemeer) 2009, 130-43.
- “Walter Benjamin: Image of Proust” reprinted in Walter Benjamin: Critical Evaluations in Cultural Theory, ed. Peter Osborne (New York: Routledge, 2004).
- “What Does it Mean to Count?: W. G. Sebald’s The Emigrants,” Modern Language Notes, December 2004.
- “The Monstrosity of Translation,” reprinted in Deconstruction: Critical Concepts, ed. Jonathan Culler, Routledge, 2002.
- “Dusting Antigone” (on Hegel, Irigaray, and Sophocles), Modern Language Notes, December 1996, Volume II, no. 5, pp. 889-917.
- “The Passion for Talk,” in The Norton Critical Edition of Ford Madox Ford, The Good Soldier, ed. Martin Stannard, (New York: W.W. Norton, 1995).
- “Playing Jane Campion’s Piano: Politically,” in Modern Language Notes, vol. 109, December 1994, pp. 757-785.
- Wuthering Heights: “On the Threshold of Interpretation,” in the Norton Critical Edition‑‑Emily Brontë, Wuthering Heights, eds. William M. Sale and Richard Dunn (New York: Norton, 1990).
Recent lectures, selected:
- “Déjà vu or …” - Rice University, History of Philosophy Workshop, September 2015.
- “Anagram/Annagram: Atom Egoyan’s Artaud Double Bill”: Renato Poggioli Lecture, Comparative Literature, Harvard University, October 10, 2013.
- “Images of Frames/Frames of Images.” Keynote lecture at conference entitled Images in Walter Benjamin’s and W. G. Sebald’s Writings, University of Girona, Spain. September 26-28 2013.
- “Sebald’s Excesses” - Weisinger Memorial Lecture, UC Berkeley, February 2013.
- “Around ‘The Rings,’ a Detour (W. G. Sebald’s ‘Rings of Saturn’).” Keynote speaker at graduate student conference: “Umwege: Detours in German Literature and Thought,” Brown University, April 12 2013.
- “Texting the Frame”- The Ninth International Colloquium on Cinema and Television Studies, “Framing the Cinematic Calendar: Grids and Timelines of the Moving Image“ (Tel Aviv, Israel - June 2012)